FIONA ANNIS
  • Double Star (hiver), 2016
    C-print, 23.75 x 19.75"
  • Double star (saule), 2016
    C-print, 23.75 x 19.75"
  • Double star (northern red), 2016
    C-print, 23.75 x 19.75"
  • Double star (fragile), 2016
    C-print, 23.75 x 19.75"
  • Double Star (Albireo), 2016
    C-print, 20 x 18"
  • Double Moon Crossing, 2016
    C-type enlargement of wet-plate collodion, 29.5 x 29.5"
  • Holding fast, 2016
    C-type enlargement of wet-plate collodion, 24 x 32"
  • The Gift (roots), 2016
    C-print from recovered roll of 35mm film, 17 x 11"
  • The Gift (Gargano), 2016
    C-print from recovered roll of 35mm film, 17 x 11"
  • Les révolutions sidérales (No. 1- 6), 2016
    6 engraved aluminium plaques, 24 x 12"
    See document for full citations and bibliographic references

Les révolutions sidérales

A double star is a binary system composed of two stars that are gravitationally bound to one another. In other words, double stars revolve in pairs circling in mutual orbit. Astronomers identify different types of binary systems based upon the relation between the two stars. These observations describe not only their current state, but also suggest their future destinies. Les revolutions sidérales is a series of images that explores exchanges that occur between body-to-body elements that are drawn together. The exhibition gathers several components, including photographs, citations, image-machines and a light installation that take as their departure point astral entanglements and their earthly reflections.

This work is an extension of my ongoing interest in the connection between photography and astronomy. It is through an investigation of the early history of photography that I came to understand how photography is indebted to the development of the optical lenses first used by astronomers. Today, photography and astronomy continue to share a binding interest in light and time, as well as the exploration of that which lies beyond the visible and known limits of observation. Stellar photography for example bridges the distance between the terrestrial observer and celestial bodies, and is a particularly strong evident example of photographic imagery that makes visible that which cannot be seen by the naked eye. Like spirit photography, which also sought to depict the invisible world, these astral images acknowledge photography’s scientific properties, while simultaneously inhabiting the domain of the sublime imagination.

Acknowledgements
This project was developed in the context of an artist residency at DAÏMÕN, a research residency at the Morbid Anatomy Museum and printed by the artist at the Post-Image cluster of the MILIEUX Institute for Arts, Culture, and Technology. The project was supported by SODEC and the SSHRC.

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