Whitehot Magazine. “Fiona Annis’ The light that was never was.” James D. Campbell. Fall 2018
(anglais seulement)
« The new works of artist and photographer Fiona Annis exhibited here offered viewers a truly sublime haunting, an invitation to partake in a séance with the ghost of photography’s past and portents of its future. Employing antiquated photographic processes, primarily the wet-plate collodion technique characterized by hand-processed photographic plates coated with chemistry that Annis mixes herself according to recondite 19th century recipes, she invokes the noumenal and the spectral in her continuing investigation into light and temporality. »